tranformation //

 A SHELTUROUS FEELING

 
key words for the collection are reuse, protection, deconstruction, transformable etc.
first, the practical,
a possible home for people, a home on the body.
the refugees needs, being waterproof and protecting.
the garment explores the “shelterous” feeling tents can give to refugees, since it becomes their home, and how this feeling can be transferred onto their bodies. living in their shelter, living in their home.
second, the sustainable,
exploring how reusing and repurposing can be for the better. to benefit new people and prolong the material’s life before recycling it. sourcing left-over tents from camping areas or festivals.
the garment can exist as a coat protecting and as a shelter. experimenting with the deconstruction of tents, deconstructing peoples temporary or longer term homes, into their identity. their clothes, the element they always carry.
third, worn by everyone,
debating the society and systems we have put into place, questioning the reality of refugees needs. assimilating a home, and hopefully gaining a real one with systemic care and change. conversation starter. potential background idea of wealthy people investing in a coat for themselves, in which the profit allows for a number of people, like refugees, to receive a garment in return to aim (on a small scale) at merging the classes and making people feel special by giving and receiving. looking alike.
reminding us that we are the same.
the garment can transform into 8 different versions of a coat.

key words for the collection are reuse, protection, deconstruction, transformable etc. first, the practical, a possible home for people, a home on the body. the refugees needs, being waterproof and protecting. the garment explores the “shelterous” feeling tents can give to refugees, since it becomes their home, and how this feeling can be transferred onto their bodies. living in their shelter, living in their home. second, the sustainable, exploring how reusing and repurposing can be for the better. to benefit new people and prolong the material’s life before recycling it. sourcing left-over tents from camping areas or festivals. the garment can exist as a coat protecting and as a shelter. experimenting with the deconstruction of tents, deconstructing peoples temporary or longer term homes, into their identity. their clothes, the element they always carry. third, worn by everyone, debating the society and systems we have put into place, questioning the reality of refugees needs. assimilating a home, and hopefully gaining a real one with systemic care and change. conversation starter. potential background idea of wealthy people investing in a coat for themselves, in which the profit allows for a number of people, like refugees, to receive a garment in return to aim (on a small scale) at merging the classes and making people feel special by giving and receiving. looking alike. reminding us that we are the same. the garment can transform into 8 different versions of a coat.


Texture based sculpture showing the inhibition of chronic body pain. A culmination of inhibitions I have felt throughout my life, an analysis of constraining factors and body pains and how the body all of a sudden cannot do what it is suppose to or could before. Yet a optimistic approach to the never ending pain. The texture of the textiles are mimiking and drawn from pain, bones, textures within the body. It reflects on positivity in the face of pain through colors. It depicts how I relate to my pain through an optimistic lens, that I carry because the inhibition will not subside. The sculpture focuses on the pain in the ankle area. The sense of losing control, feeling numb, stuck and caught in ones movement. A certain wobbly feeling apears around the ankles which limits walking. The sculpture allows people to feel the pain when stepping into it, without me giving an explanation. longlasting handcrafted techniques are mixed, such as weaving, machine knitting and hand knitting, only made out of reclaimed and repuposed materials, such as foam, cotton, organza, linen, thread and knitted yarns. an exploration of sensitivities. M