so’n’so //

exhibition at treehouse in Amsterdam, Netherlands, February 2026
group exhibition organised and curated by Klaudia Kazmierczak and Marcus Wärnheim.
showcasing a mixture of musical perfomances, sculpture and installation art.
treehouse, Amsterdam, Netherlands.
where ‘the wire I bend’ was interacted with.

the textile work is an experimental piece, questioning human’s environmental impact of the actions our hands contribute. the programmed imagery produced on the industrial circular knitting machine is based on typography patterns, universe imagery, and the inside and the outside systems that occur in earth’s spheres.

the piece hangs with gravity weighing the textile downwards while the metal structures, implemented by hand, are to be affected and manipulated by hands that shape the tube and in turn its universes. the work plays between environments, action, touch, and the human made and the machine produced.
the audence is therefore invited to interact with it.

“feel free to shape the piece.
with your hands.”



‘the wire i bend’, 2023
/145 x 145 x 330cm/
cotton yarn, filler yarn, wire


group exhibition organised and curated by Klaudia Kazmierczak and Marcus Wärnheim. showcasing a mixture of musical perfomances, sculpture and installations art. where ‘the wire I bend’ was interacted with.

the textile work is an experimental piece, questioning human’s environmental impact of the actions our hands contribute. the programmed imagery produced on the industrial circular knitting machine is based on typography patterns, universe imagery, and the inside and the outside systems that occur in earth’s spheres.
the piece hangs with gravity weighing the textile downwards while the metal structures, implemented by hand, are to be affected and manipulated by hands that shape the tube and in turn its universes. the work plays between environments, action, touch, and the human made and the machine produced.
the audence is therefore invited to interact with it.
“feel free to shape the piece.
with your hands.”



Texture based sculpture showing the inhibition of chronic body pain. A culmination of inhibitions I have felt throughout my life, an analysis of constraining factors and body pains and how the body all of a sudden cannot do what it is suppose to or could before. Yet a optimistic approach to the never ending pain. The texture of the textiles are mimiking and drawn from pain, bones, textures within the body. It reflects on positivity in the face of pain through colors. It depicts how I relate to my pain through an optimistic lens, that I carry because the inhibition will not subside. The sculpture focuses on the pain in the ankle area. The sense of losing control, feeling numb, stuck and caught in ones movement. A certain wobbly feeling apears around the ankles which limits walking. The sculpture allows people to feel the pain when stepping into it, without me giving an explanation. longlasting handcrafted techniques are mixed, such as weaving, machine knitting and hand knitting, only made out of reclaimed and repuposed materials, such as foam, cotton, organza, linen, thread and knitted yarns. an exploration of sensitivities. M